|Elliott Sound Products||Project X|
A-B Switch Box For Amplifier Comparisons
Phil Allison, (Edited By Rod Elliott)
I have finally been able to add 'Project X', thanks to Phil Allison. Somehow, 'X' just seemed appropriate Have fun.
This is probably going to be a very controversial device. Its purpose is to prove people wrong and that is very confronting. If you don't wish to have your cherished beliefs about amplifiers and audio generally challenged then do not build or use this unit.
Many of you will know about the ABX system for doing audio comparisons. No doubt it is a very fine piece of design but out of reach for the average person. Some years ago I felt that a much simpler device would at least allow me to do comparisons on power amplifiers while the music played in a similar way to ABX. This device was the outcome. After using it for a few seconds my attitude to audio listening tests changed forever. If you are game for a challenge then try it yourself. It will cost you under $50 to build. It may be the best or worst fifty bucks you ever spent depending on your attitude.
The idea is that the listener, you, sits in the 'hot seat' and concentrates on familiar music on your favourite speakers in your own lounge room with the ability swap power amps over without moving more than one finger. If there is even a small change in timbre or definition it should be instantly audible. The stereo image and any other factor can be checked precisely since you can sit totally still during the switchover. Well at least that was what was expected to happen.
The design is very simple and I lashed mine up in a couple of hours and put it to use immediately. A couple of good quality relays, some hefty terminals and banana plugs and a long wire finishing in a hand held push button are the ingredients. The circuit is as shown and is self-explanatory. What is does however, is staggering.
Providing the two amps to be compared are of high quality (why would you be interested in anything else?) and of course fault free, the gains are carefully matched and have similar bandwidth the device permits instant and seamless switching of the amplifier outputs to the speakers at the push of the button in the listeners hand.
Because the relays switch in a couple of milliseconds there is no audible interruption. This surprised me at first and I tried my sine wave generator set to 100 Hz and pushed the switch. About half the time I could hear a faint 'tick' sound but this was not audible on musical programme.
Figure 1 - The A-B Switch Box Schematic
A description of the circuit is hardly needed (but I'll give a brief one anyway). The DC voltage must be matched to the relays, and 12V is suggested as the most practical. The relays should be high quality, high current types, and DPDT relays can be used with the contacts paralleled for lowest resistance. Gold flashed contacts are desirable, but standard silver contacts should be quite adequate unless there is severe atmospheric pollution in your area.
The speaker grounds for the two amps were connected together at the box and the speaker grounds were coupled as well. Use short thick leads for connection to the amps. It is possible this might cause an earth loop hum with some combinations.
Warning! Never attempt to use this switching device with amplifiers that have a BTL (bridge-tied-load) output arrangement. If there is a warning that neither speaker terminal may be earthed then this describes your amplifier. If you connect it to the switching unit you will almost certainly cause severe damage to the amplifier. Both amplifiers under test must be conventional amps that have the -ve speaker terminal connected to earth (ground).
The switch (marked 'Push-On / Push-Off') is the remote switch, and needs a lead that is long enough to reach the listening position. There is no real limit to the length, even with light duty figure-8 'speaker' lead, but in excess of 10 metres or so may cause some voltage loss. The LED is optional, and may be omitted. If fitted, be very careful that the LED cannot be seen from the hot seat, as it may dim slightly when the relays are energised, thus giving a visual clue - this you don't need!
When comparing amps of different power ratings, stay within the capacity of the smaller unit. Valve and transistor amps may be compared as long as the valve model has a damping factor greater than 25. Amps with subsonic filters may be distinguishable from those without on some material.
Matching the gain may be difficult if the amps do not have level controls. Solder a 10 kohm multiturn trim pot to the back of each RCA plug on the amp with more level to set the gain.
You must use a push-on, push-off hand held switch. Never use one that needs to be held down to make the relays change over. The switch must be one that does not change 'feel' from one position to the other (some feel slightly different depending on the latching mechanism).
After the initial surprise (shock) wears off, try the old stop and restart A-B test method again. See what happens!
This is a contributed article, and the author (Phil Allison) has made this information available for the sake of audio.
I do suggest that if you want to test this technique that Phil's instructions must be followed to the letter - even the smallest variation in level can invalidate any A-B test. Comparisons between valve and transistorised amplifiers are likely to show differences, only partly due to the higher output impedance of a valve amp, and extra care is needed to balance the levels with this combination.
It is also important that there are no visual cues that might alert you that one amp or the other is in operation. To be safe, place a screen of some sort between you and the amplifiers and switch box. As Phil has stated, if amplifiers are of different power ratings, make sure that neither amp clips (distorts) at any point during the tests. This will be immediately audible, and is not a valid test for an amplifier's sound quality (since it has none when clipping!)
If you don't want to be confronted by this switch box, build one anyway. It will allow you to make comparisons between amplifiers that are otherwise impossible to do with accuracy or repeatability. You might find that there are audible differences, or you might not. Either way, it gives you the ability to know (rather than assume or imagine) that one amplifier is different from another.
|Copyright Notice. This article, including but not limited to all text and diagrams, is the intellectual property of Phil Allison and Rod Elliott, and is Copyright © 2000. Reproduction or re-publication by any means whatsoever, whether electronic, mechanical or electro- mechanical, is strictly prohibited under International Copyright laws. The author (Phil Allison) and editor (Rod Elliott) grant the reader the right to use this information for personal use only, and further allow that one (1) copy may be made for reference. Commercial use of this published material is prohibited without express written authorisation from Phil Allison and Rod Elliott.|